| First Line, Last Line (Part Deux) Posted: 10/9/2009 2:22:02 PM | your distress leads to our success for we are the best at making you believe in your vulnerability which then leads to our invincibility when we know really we have no humility and any sincerity is genuinely empty for all that matters is filling our coffers from our false offers to you paupers....
this is the way to survive today in a world that's gone wild offering nothing for the child unless they can do their part learning the salesman's art of taking advantage of the human heart
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| First Line, Last Line (Part Deux) Posted: 10/9/2009 2:31:09 PM | the human heart is like a hand it opens and closes rat-a-tat tats on the beat of a drum takes and gives crushes and gets crushed... pounds to its own beat | |
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| First Line, Last Line (Part Deux) Posted: 10/9/2009 4:15:12 PM | to its own beat hat in hand now thats odd the music stopped there is something a man on the far side he's pointing back to the farthest street of what it is or is it a messanger looking tired winding through the crowd he's wasted pushing away water from parched lips down the railyard watching your step | |
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| First Line, Last Line (Part Deux) Posted: 10/9/2009 7:08:46 PM | watching your step feeling invisibile forces guide you softly narrowly missing partial eclipse escaping emergency through the dance
dancing as your learn who truly at your side guiding holding pattern shattering 2am calls again
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| First Line, Last Line (Part Deux) Posted: 10/9/2009 7:26:01 PM | 2am calls again and I am not at home I'm dancing the night away with the crowd In a crowd you are never alone
And when it strikes 3am I am still getting down with the sound The cathartic deep beat, that brings up the heat Is a party where I can be found | |
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| First Line, Last Line (Part Deux) Posted: 10/10/2009 1:23:10 AM | I(t)s a party where I can be found its called my life and I'm lampshade crowned always the one to play the clown if you like to laugh well come on down
always party time inside my mind if you can't laugh at life you can't unwind grab the wallflower that's too confined onto the dance floor for some bump and grind | |
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| First Line, Last Line (Part Deux) Posted: 10/10/2009 4:24:37 AM | onto the dance floor for some bump and grind careful not to slip on that orange rind fell from your drink still sipping in time while your fingers fit easilly into mine
here, dear one, let me put that drink down so we can see how we really fit spinning round they've changed the tune now to slow way down and in our dance perhaps love can be found
feeling your heart beat close to mine my feet seem to be lifting off the ground your arms hold me tenderly near my spine.... so much delight dancing with you this night | |
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| First Line, Last Line (Part Deux) Posted: 10/10/2009 9:57:07 AM | so much delight dancing with you this night dispite left mixing up with right at least we didn't fight over who leads though the tangled legs syndrome breeds laughter and many practice needs this all feeds into little love bites | |
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| First Line, Last Line (Part Deux) Posted: 10/10/2009 6:11:02 PM | this all feeds into little love bites the kind that hurt but sort of feel nice guess it's really a rather small price to pay for the chance of love one day....
for from this sort of flirtatious play can come the feeling you want to stay but you know better than go home with a stranger so you just keep dancing the night away.... | |
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| First Line, Last Line (Part Deux) Posted: 10/10/2009 7:34:07 PM | so you just keep dancing the night away dreams held cherished happy child's play dancing held secured in free space carressed the form of her sweet face
dream perhaps in lingered on music flowing subtle strong flitatious glowing gentle heart dancing manic at music's start
ended too soon in dance of spirit chorus begun, next set revisit there in dreams chased, dance floor honoured asked, to dance with more.. | |
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| First Line, Last Line (Part Deux) Posted: 10/10/2009 9:40:31 PM | honoured asked, to dance with more.. lets quietly slip outside the door into the beauty of the night is where we see the beautiful light
and slip away into our dreams where nothing is what it seems into your arms i'll melt in heat life with you is oh, so sweet | |
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| First Line, Last Line (Part Deux) Posted: 10/10/2009 11:25:23 PM | life with you is oh so sweet Dance to music heard a treat Background is the music played Encompassed still bound stayed
Stopped never,is that heart beat Moonbeams dancing on little feet Felt the passion, cool the rush Spacious each, in eyes flush
Spellbound captured, yet set free Dancing, glorious each gloriously Culminating, exhausted treasure One more dance with which to pleasure... | |
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| First Line, Last Line (Part Deux) Posted: 10/10/2009 11:58:56 PM | One more dance with which to pleasure... hear the music play it sweet and demure step with feet light under the twilight do not let the dawn come early tonight
for the sway of the moon holds me enraptured holding my heart's key dance until the morn light pries sleep from my heavy eyes | |
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| First Line, Last Line (Part Deux) Posted: 10/10/2009 11:59:59 PM | One more dance with which to pleasure... hear the music play it sweet and demure step with feet light under the twilight do not let the dawn come early tonight
for the sway of the moon holds me enraptured taking my heart's key dance until the morn light pries sleep from my heavy eyes | |
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| First Line, Last Line (Part Deux) Posted: 10/11/2009 12:18:29 AM | One more dance with which to pleasure bebop backbeat measure by measure sax gets crack and the knees go slack synth is whack and the floor gets packed
riffs rip from towers and shower the crowd bass line is bomb and tom tom is loud the cat on the high hat hides behind shades surreptitiously eyeing the circling barmaids
doors propped open still air is rare hanging with humanity that dampens the snare boogie woogie man pounds the spinet while soprano trills spill from the clarinet
tight as a sprite is the band dressed in white loose as the night juking in the strobe light shouts of approval like bullfight ole's can you see my wide grin through the barrelhouse haze | |
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| First Line, Last Line (Part Deux) Posted: 10/11/2009 1:01:42 AM | see my wide grin through the barrelhouse haze Sucking down cheap cigarettes and kesslers Straight or over rocks if I was in an easy mood the bartender knew my burn I didn't waste time with water
set it up for me as I came in but never Knew my name,
In the early days I only danced fast, and always all night long never kept lists If my memory served pizza At 3 am in motel six but couldn't recall your face The pizza was no disgrace | |
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| First Line, Last Line (Part Deux) Posted: 10/11/2009 4:56:15 AM | The pizza was no disgrace such a mix of subtle taste shared by the whole flipping place none of it would go to waste
though another waist may show the solution danced by you know you can sit there and watch it grow or let someone take you in tow
tip toe through the tulips if you like you can go off for a ride on your bike dance along with the guy on the mic. being active you know is real bright | |
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| First Line, Last Line (Part Deux) Posted: 10/11/2009 8:29:24 PM | being active you know is real bright cried the raven searching the waters For land on that long flooded night
Nevermore he cried to waken Poe From Pallus' victorious shoulders Musing for the loss Poe did almost lose the tapping on the door at cost Of sweet forgiveness from Lenore | |
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| First Line, Last Line (Part Deux) Posted: 10/12/2009 9:22:27 AM | Of sweet forgiveness from Lenore this thoughts just melted to the floor I should nail that raven to the door that'd scare the kids for evermore
with motion sensors on the drive the tape of moans would come alive when treaters show up where I reside this cuts them with fears like a sythe
the lights will flicker to the moans shadows then move with rattling bones this should turn their spines to ice cream cones dripping with chills as they run home | |
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| First Line, Last Line (Part Deux) Posted: 10/12/2009 7:12:17 PM | dripping with chills as they run home to call all their friends, "You've got to see this one!" Then making the plan "Let's meet at the gate by the old run down inn." In the dark they wait to see their friends come forth from behind a tree scaring the h**l out of the friends with the greatest of glee ...... | |
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| First Line, Last Line (Part Deux) Posted: 10/12/2009 7:31:48 PM | with the greatest of glee they look up to me so devoted with truth in their eyes and I try to bestow all the good that I know so they see that life is the prize and they make it so by lifting my soul to heights I never imagined the love in the bond takes us beyond the mere miracle of life's great pageant | |
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| First Line, Last Line (Part Deux) Posted: 10/13/2009 4:10:08 AM | miracle of life's great pageant pales to nothing at all all emotional delusion mere pictures down the hall
faith that this is real trickles in and out belief may last a few moments then is replaced again by doubt
the undulation continues like day and night for all we need the ups and downs you know its what keeps us on the ball | |
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| First Line, Last Line (Part Deux) Posted: 10/13/2009 4:54:50 AM | It's what keeps us on the ball The bird catcher wait's for us to fall Watching our habit's, our wanting's great and small Seeing our desire's, willing us to do them all Enticing us to enter the trap, snap shut
But knowing one's enemy help's us fight To do what's right, clear's the path Keep's us in flight Soaring high Soul wont die When wanting allway's question Why? | |
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| First Line, Last Line (Part Deux) Posted: 10/15/2009 8:56:34 AM | Why Not? Why are you always right I don't have to be wrong perhaps wrong for you this is true but that's an easy fix out the door with you I don't need a barker at me constantly telling me this and that go find someone else to bark at I've had enough of that sh1t I do just fine on my own don't need no King to sit on MY throne | |
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